Appearing in Autumn 2020
Stacey Margolis
The Innocence Project: Future Generations from the Founders to The Village
Kevin McGuirk
"Near Enough / to be knowingly away": Cornell '69 and the Ammons Poetic
Patrick Kindig
Amulet Aesthetics and the Fascination of American Decadence
Chelsea Oei Kern
Big Data and the Practice of Reading in Super Sad True Love Story
Jordan Greenwald
Limp Whitman and the Ecopoetics of the Neutral
Appearing in Summer 2020
Gary Totten
Wharton's Wild West: Undine Spragg and the Dakota Divorce
Sarah Nance
Memorial Time: Claudia Rankine, C.D. Wright, and the Temporal Space of Remembrance
Sarah Schuetze
Insidious Taint: Race and Consumption in the Nineteenth-Century American Domestic Novel
Kylan Rice
"In Couples, In Small Companies": On Robert Duncan and Sentimental Modernism
Sean Pears
A Speculative Reading of Black Feminist Resistence in George Washington Cable's The Grandissimes
Appearing in Winter 2019
Peter Becker
Genealogies of Sympathy: Reclaiming the Maternal in Frederick Douglass's Narrative and Toni Morrison's Beloved
Aaron Colton
Dana Spiotta and the Novel after Authenticity
Tony M. Vinci
Shirley Jackson’s Posthumanist Ghosts: Revisiting Spectrality and Trauma in The Haunting of Hill House
Graham Thompson
William Dean Howell's Periodical Time
Pardis Dabashi
"too soon too soon too soon": Continuity, Blame, and the Limits of the Present in As I Lay Dying
Appearing in Autumn 2019
Daniel Diez Couch
Poe, Sympathetic Ink, and Chemical Landscapes in Nineteenth-Century America
Penny Vlagopoulos
Decolonizing Food: Transgressive Eating in Junot Díaz's Drown
Michael F. Miller
Why Hate the Internet? Contemporary Fiction, Digital Culture, and the Politics of Social Media
Owojecho Omoha
Capture Theory: Battling with Tropes in T.S. Eliot's The Waste Land
Jonathan Senchyne
Under Pressure: Reading Material Textuality in the Recovery of Early African American Print Work
Appearing in Summer 2019
Dana D. Nelson
The Enduring Appeal of the Commons
Alan Nadel
From the Industrial Unconscious to the Cinematic to the Televisual to the Networked
Naomi Miyazawa
Photography, Unconscious Optics, and Observation in Capote's In Cold Blood
Garth Sabo
"Onward and Inward!" Through the Fecological Body with Twain and Chappell
Joseph R. Shafer
The Body of Space in Charles Olson's Call Me Ishmael
Appearing in Spring 2019
Jason Lagapa
Frank O'Hara and the End of Bureaucracy
Ben Bascom
Queer Anachronism: Jeffrey Brace and the Racialized Republic
Yael Segalovitz
WIlliam Faulkner, Cleanth Brooks, and the Living-Dead Reader of New Critical Theory
Craig Carey
William Dean Howells, Thing Theory, and the Hazards of Speculative Realism
Joseph R. Shafer
The Body of Space in Charles Olson's Call Me Ishmael